Designing is great fun. But the key to completing the circle that starts with an idea in response to a need (or not) is having that design come to fruition. I am grateful  for having a great team of detailed design fabricators who make my dreams come true.  And they spoil me. I think many designers will say the same thing. What starts on a cocktail napkin,  torn piece of flimsy trace off a roll, a sheet of graph paper or more formally, working drawings, takes shape with the collaboration of designer and fabricators who are not just fabricators, but invaluable contributors to the finished products’ construction and design details. These are the seamstresses, upholsterers, carpenters, iron-workers and all manner of construction trades who bring these creations to fruition!

Several years ago we had a client who was daring in her desire to have a super modern loft. Her history of traditional furnishings and up-bringing was well in place in Washington state, but this opportunity to have a second home, an urban loft, made way for her exercising the juices that offered a new alternative lifestyle and a new “look.”

One of the many key pieces in this fabulous space turned out to be the cornerstone of a new custom collection that we fondly call PATRICIAN DESIGN’S  “Hammered Home.”

As I planned the pieces for this fun and hip urban interior, I designed painted pieces, modern tonsus,  a Nelson inspired coffee table, red and raw steel glass-topped dining table base, a new take on a drop-leaf desk and colorful mixed media end-table/chests all custom fabricated by my team, but I wanted something more, something that gave rich, detail and dimension, interest and art and this new line of custom furniture was born. The first piece, a nightstand/end table for a dual-purposed guest room/study combined clean-lined wood with steel.  So with a quick sketch of the dimensions and form, my desire to have metal legs suspending it off the floor, metal accents but not severe – I thought, hammered?

The wood tone was to be a more milk chocolate than mahogany but tight-grained and true medium  brown. The floors were an existing light engineered material and this brown contrasted nicely.

The next opportunity to introduce this combo theme of our “Hammered Home” design came with a young family’s need for a media armoire in the “family” room. Several years ago when “espresso” hit the design scene for the new trend for modern furniture, everyone  from Target to Pottery Barn to Robb & Stuckey filled their inventory with the dark coffee bean wood finish.  As a designer, I recognized the value of the trend and wanted to accept it, but take it a step further for these very smart and successful, yuppy clients.

In previous blogs, I have clearly stated that all trends are not created equal. some are passing fancies of color combinations that soon become dated or design elements that don’t leave a significant mark to pass the test of time. But the dark chocolate/coffee color enriched that which had so often been blond, light woods and cherry/cinnamon tones of recent popularity and contributed a valid alternate stain theme for wood furniture. The media armoire for a young family’s “family” room, was clean-lined and new. The bling was industrial enough not to be glitzy, but just enough silver-grey metallic to contrast against the dark wood.

The next version of this “Hammered Home” collection came in front of a stacked sandstone wall of bone white, creamy cream, a hint of gold and a tinge of iron rust. We picked the darker rust tone to contrast against the otherwise soft light stone wall colors – the rusty hue suggested a cinnamon colored alder – stain magic! This pair of low profile media cabinets housed all the components and an incredible bundle of wires streaming into the back of the cabinet from all points of the house – and it’s called wi-fi? Really? Due to the color scheme, we decided that a copper metal panel would really meld with the cinnamon-stain of the alder. So we took it a step further to enhance the copper, knock it down a bit and highlight the texture with a blackened rub that nestles into the hollows and allows the bas relief to shine. It is a warm, rich, dimensional textural wonderfulness.

So when a very fun client called last fall wanting a surprise for his wife – nightstands perhaps? I laughed because my husband often says that he’s getting me storm windows for a Valentine’s Day gift…funny – every girl’s dream!! But nightstands are at least in the realm of dreamland!!! So knowing the room and its existing color scheme, I decided upon a satin black with the same hammered blackened copper panels. The combination of the black and blackened copper was sensational. The style was more transitional than the previous clean-lined pieces – but it goes to show that this hammered metal design theme can transcend the styles…

20170214_111817-copy

 

We LOVE working with this client as he knows that he either has an idea (a new nightstand) that we can create or he calls and asks – what can we create for the next event? Whether birthday, anniversary, Christmas, or Valentine’s Day – we have provided locally hand-loomed textiles wraps, wild embroidery throws, magnificent oil paintings, locally hand-crafted jewelry and more! How fun for him to know that each present is custom and unique, supports local artists and will be a treasure forever. Plus he doesn’t have to shop!!!!!

So we delivered our surprise cabinet last week on Valentine’s Tuesday, I stopped at a quickie store and bought some simple heart stickers – not much larger than a postage stamp, I stuck one in the drawer and one on the shelf of the lower cabinet and thought that whenever she opened this cabinet she will remember that it was her Valentine’s surprise!!! We had a key, took the cabinet to their bedroom, removed the old nightstand, replaced it with the new one…Voila! She came home to a really neat surprise!!! And might there be a matching one in the works?? We can’t say.

20170214_111817

Custom fun – support local artists and make your dreams come true!!!!!

Advertisements

Su mundo es corazones. Artist Paola Alonso Rangel is at the heart of Vallarta and literally that is the name of her shop, Corazon Vallarta, where she thrives amidst the bustling activity in the old town, on a busy street corner, with much traffic flowing by both in vehicles and on foot.

p1120692

A man carrying a frighteningly large pane of glass about 6 feet long by 3 feet wide effortlessly and without intimidation marches down the street with taxis and buses bouncing by him. I cringe at the site and the young shop attendant, Nidia, shrugs with a smile and says “It’s Mexico.”

With Valentine’s Day nearing, this exciting little shop offers a wealth of opportunities to find just the right gift to say “be mine!”

Paola’s little Chihuahua, Pecas (Freckles), suns on the front step seemingly oblivious to all the activity swirling by. She is front and center of all that is happening in Corazon Vallarta.

A designer and hands-on artist of nearly everything she sells in her shop, Alonso Rangel is a model of organization and time utilization. She has her machine fine-tuned and knows just what it takes to create, prepare, produce and market her work.

20170128_115901

In the well-lit back room of her little tienda, she has all of her art supplies neatly organized on sturdy shelving sparing not one square inch of available space. Her computer plays soft Spanish songs that, with the fan blowing gently, creates a pleasing atmosphere where she designs and paints with a couple of assistants to assemble and package her work to sell.

As is true of most urban storefronts, the fine grit that is continuously accumulating from the dusty streets and vehicles in passing contributes to the concerns of successful retail presentation. Hers and others in this type of scene perhaps suffer more due to the cobblestones which collect and distribute ongoing layers of the sooty, dusty, fines.  So everything is kept painstakingly clean and wrapped in cellophane  – just another stage of the process that makes her conscientious practices so impressive.

From colorful wooden puzzles, picture frames, key hangers, boxes and magnets, the expansive home decor and gift collection, on which she collaborates with her brother in Guadalajara, is a treasure of her designs and creativity. All manner of colorful animals with whimsical expressions are the subjects of her puzzles with a bit of flowers and fruit in the mix for a generous variety of choices. Alonso Rangel designs all of the pieces while her brother and his crew with a manufacturing studio in Guadalajara do all the mill-work, brilliantly colorful painting and glossy lacquer finish.

20170129_100543

Other of her work is comprised of original one-of-a-kind creations on canvas and wood, heart-themed all in keeping with her heart-felt passion for  corazones.

She efficiently sets-up her own assembly line of stages of production, with Pecas supervising closely, so that each of her made-by-hand (hecho a mano) originals are always filling the walls and shelves from where they are being lovingly selected by customers to take home.

Steel heart sculptures, wooden cut-outs, carvings, and more are the multi-media of her continually, seemingly endless creative concepts and body of work!

20160205_155241-copy

Thank you Paola for all of your inspiration – by design!

p1120692-copy

After having seen Federico Leon de la Vega’s presentation at TEDX Talks in September and after having seen some of the work in progress over the past couple of years, it was a treat last week to be in his studio to see the collection exhibited up close and in person!

Presented on fabulously enormous canvases and a few smaller studies, these bold graphic statements compile a contemporary collection that is quite astounding. The premise is quite provocative.

The idea that handwriting is a basic human means of communication having evolved into the very personal flowing script of cursive that each individual can call their own – in their own style – it’s almost as personal as a fingerprint. It is an extraordinary human function that should be protected, revered and certainly not lost to the fast-paced technology of the digital age!

Making one’s mark on a surface…a piece of paper…to convey a thought, idea, instruction, story, a doodle on a paper towel – a love letter.

20170117_120810

With Valentine’s Day approaching, it brings to mind the idea of love letters. We read them throughout literature and listen to them in songs. We hear of them being saved over time by recipients in treasured boxes tied with ribbon to be read over and over or merely saved for others to find long after…

These magnificent oil paintings convey the art of handwriting. They celebrate the simplest marks of hand to canvas with brush and paint looping in circles and jutting in spikes – the primary strokes of handwriting. These primary strokes are the foundation of mastering the control needed to make the continuous flow of letters that become each person’s personal interpretation of the alphabet in cursive style and an exclusive means of communication.

Style – handwriting conveys personal style. Look at yours. Is it always the same or do you mix it up? Do you stay consistent or do you express different styles of your own handwriting for different purposes?  Look at your friend’s handwriting – would you recognize it anywhere?

federico-signature

It is thrilling to walk among these great canvases with their color and  bold strokes. It is arresting to realize that they are so simple yet so complex in what they are saying. We must recognize the value of handwriting. We must not let it be dropped from our schools’ curriculum. We must continue to see the importance of the pure, mind to hand, raw emotion.

Powerful spikes require starting and stopping – control.

Loose loops also require control to maintain uniformity.

20170113_194255

After control is learned, expression can take over resulting in that personal style that becomes each individual’s identifying handwriting.

20170113_194522

Federico reminds us in his talk, about how we might have attempted to write a love letter for the first time and how many times it was crumpled because it wasn’t quite right. The failed attempts of recording our feelings as we strive to say the right thing, to express our deepest emotions. Yet once accomplished, those words hand-written mean so much more than the same words conveyed by type or digital communications.

“From my heart to my mind, from my mind to my hand, from my hand to the paper I place in your hand,  so you may fold it and keep it near to your heart. No delete!”

The digital world is all around us. We cannot escape it, nor should we. However, the human evolution and the brain’s development that mastered the art of handwriting is a place that could be diminished and lost if we do not continue the art and practice of personal expression through this extraordinary medium.

All we need is love – sent via a personalized handwritten letter from the heart. Here’s to a Happy Valentine’s Day !!!

Oh the Faces! Spanish Market

November 27, 2016

The sky was grey and the air had a decidedly seasonal still-cool yesterday which called for a cozy indoor activity – offered this weekend in the handsome Hotel Albuquerque, host of the Winter Spanish Market. Yes, the decades old traditional Spanish Market held in Santa Fe outside around the Plaza, on warm summer days in July, has begun a new tradition in Albuquerque in the opposite season indoors. http://www.visitalbuquerque.org/abq365/events/detail/28th-Annual-Winter-Spanish-Market/31793/

The collection of world class artists’ booths beneath the enormous hand-tooled tin chandeliers suspended from the spacious ballroom sparkled with festive illumination and colorful creations.

20161126_151417

A variety of Mariachi bands played to the crowds as the curious and collectors wove in and out of the rows of talented exhibitors.

Fine tin-work, dyed and cut straw assemblies, weavings and jewelry presented an incredible variety of work. Fine crafted furniture and spectacular wall pieces were displayed by master carvers. It was a collection of world-class art and fine craft.

20161126_151517

Crazy interpretations of his beloved traditional retablos are Charlie Carillos commically contemporary interpretations of vintage cars with saints at the wheel. Humor that is received with mixed reviews. But his talent is undisputed. Here he entertains at his booth with his colorful delivery.

20161126_151446

By startling contrast, the rich warm colors and traditional reverence that Catherine Robles-Shaw displays in her incredible carvings and painting techniques, wonderful detail and soulfully expressive faces. Her rich hues are Old World in their sensitivity to tone on tone and dark earthen colors outlined and enhanced with ribbons of gold.

Daughter, Roxanne Shaw-Galindo, a respected santero in her own right has continued to carve her own niche in this exclusive world of bultos, retablos and other manner of fine carving and painting.

The mystic powders carefully sought and gathered from ancient land forms and mineral-rich geology diluted with water and even the precious red of the rare cochineal all contribute to the luminous, translucent colors that read so differently from other media.

And further contrast is Frank  L. Garcia with his primary colors of electric blue, yellow and  red shining off of his wood surfaces. Uplifting and extracting smiles from all who pass his booth.

20161127_085738

Oh the faces!! Each santero has his or her own style.  Like fingerprints, the santeros each have cultivated a unique “look” to their work and expressions of their subjects.  The eyes say so much. Mournful, cheerful, pensive or stony stares, the characters are exclusively their own. Despite the similarities bound by tradition, each artist presents a specifically unique style which conveys incredible personality. These signature expressions, as individual as fingerprints, represent so distinctly each  inimitable artist. Despite the similarities bound by tradition, the methods and materials, each shine with startling individuality!

Here santero Ruben Gallegos poses with Mary Anne Green an avid collector and fond owner of several of Gallegos’ work.

Lee Valdez hunches over his soon-to-be cross carefully carving the rope detail around the edges. Light pencil lines define the decoration that he follows with remarkable precision – and look – he is sporting two pair of glasses stacked atop one another – which he says works just fine.

Behind him displayed on the wall are several other crosses in all manner of carving and decorative woodwork. One piece in particular is a yellow pine cross that is riddled with dark cinnamon colored worm holes – splattered actually – creating a spectacularly natural design. And further marks of nature that Lee captures are a knot hole and adjacent burled wood that he places dead center in the intersection of the cross. The four end pieces are carved from a piece of butternut wood providing the perfect natural contrast to the yellow pine yet complimenting the dark flecks of the worm holes. Quite a find, in this amazing piece of wood he spied in a hardware store, and remarkable sensitivity to isolate and assemble the various pieces to create the whole.

20161126_145127

A striking woman caught my eye. Her thick curly black hair and handsome silver cross strung on a multi-strand necklace of turquoise made a big statement amidst all of the art and drama. Meet Vanessa Baca.

20161126_140328

As we visited briefly I learned that she is a fellow blogger and I am sure it was fate that we met as her foodinbooks.com is a wealth of observations centered around great books and fabulous food within described. She writes with great depth of description and observation AND she breaks it down and teaches you how to prepare that about what you have just read!

Sean Wells painting as we watched, represents her art in her own striking appearance. Dark hair whipped and twisted with a stylish flair and topped with screaming orange flowers.

Wells’ images are equally colorful, happy and festive. If not her fine retablos, You might recognize her Fanciful Day of the Dead wine bottles and famous, collectible Lottery Scratchers! Find her on Etsy!

It was an inspiring day of extraordinary art in a genre that is so historically and regionally rooted with original methods and patient execution paired with the artistic imaginative people who practice and study this fine work. Thanks so much Mary Ann for a rare treat!

20161126_155650-copy

Today YOU can go see this final day of  the 28th Annual Spanish Market 2016! Get over there!

 

So, in direct contrast to discovering art in unexpected places such as a simple series of brush strokes painted on a course concrete curb, (last week’s pattisays blog) this week, as fall leaves fill the air and pumpkins pop up on every surface, my observations are about discovering art occur in an actual art gallery, specifically the National Gallery of Art in Washington D.C.. Imagine that! The city has been abuzz for months in anticipation of the recent unveiling of the updated East Building.

It was in 1978, the year I left my home town of Washington that I.M. Pei’s exciting new modern edifice was presented to an anxious art-loving public. So very different from the West Building and all others in the historic vicinity, some people were astonished but most were thrilled. This sleek angular sculpture of a building was a statement in and around which to display the growing modern and contemporary collection. An art-piece of its own accord. Yes, the building was at once regarded as its own work of art.  We eagerly raced to touch the famous wedge of geometry that came to such an acute angle that it begged to be touched.

i-m-pei-east-building

Nearly 40 years later that same fine edge is silently showing its age missing little chunks of compound and lovingly discolored with all the hands from around the world that have touched and smiled at the towering stone form in contrast to the rotund, ornamented and domed Capital in the background. Both majestically iconic, but stylistically so very different.

20161020_145510_002-copy

20161020_145320

But wait – this elegant aging beauty has had a three year rejuvenation treatment! New stairways and elevators connect galleries making the flow of exhibits more enjoyable. The tunnel connecting East to West sparkles with light and all the subtle changes result in a seamless passage through and enhanced experience for visitors.

The glassy, crisp, stark, expansive lobby where the enormous Calder mobile is suspended defying its enormity and weight as it gracefully, almost motionlessly, moves silently with the subtle, indiscernible stirring of air is the fulcrum of the building. Exhibit halls tucked away but newly connected are exciting to frequent visitors who know the building so well.

20161020_120055

I naturally had to have a little fun and in keeping with the season made a couple of entertaining discoveries. Here Four Square and oil on Canvas by Franz Kline in 1956 is noted by The Art Story/Modern Art Insight “a fine example of  his gestural approach to painting. The viewer is led to ponder the canvas, seeing as either a close-up of a linguistic symbol, or perhaps, a set of open windows.”

20161020_141429

Really? Linguistic symbol or a set of windows? Well, maybe it’s the season…but I instantly saw a cat – a crazy black cat, an abstraction of James Dean’s “Pete” perhaps, which made me want a mask and to be that crazy cat and prance about for Halloween!

20161020_141522_001

In another piece, Portage, by William Kentridge of South Africa born in my birth year of 1955, a folded accordion-like book with torn  black figures of paper affixed to encyclopedia pages resulted in my seeing another black cat! I do think it was of human figures bearing weight, carrying, moving through various poses. Call me Halloweeny – but this one was decidedly a black cat. Don’t YOU think?

20161020_143546

It was fabulous, exciting, fun and emotional to see the colorful Matisse cut-outs once again in such close proximity with Matisse’s placement marks and rough cut pieces – crude yet refined – rough yet lovely. Seeing these incredible compositions up close again is breath-taking.

Oh, and might this be another seasonal mask?

20161020_143742

From awestruck to silly…to a quiet reverence at coming to the black and white photo of this enormous piece in Hotel Regina in Nice in 1953!!  Seeing it in the setting of its day and captured in a photo all those many years ago was one of many moments of reverence.

20161020_143238

Once again, pay attention to the little things, be surprised, let yourself be amused and enjoy discovering art wherever you might find it – unexpected and very much expected places!

 

WONDER at the Renwick

June 19, 2016

At 4 years old my teeny cousin, Katherine whom I nicknamed Katie-belle, took my hand as we ventured forth with great discovery stepping down into the carport of our beach house. With commiserating whispers, like the two adventurers that we were that night, we exchanged queries about where we were headed and what we might find and she said ” I Wonder…”

“So what?” you might say. What’s such a big deal about that? Well the concept of wondering, being able to ponder with amazement at what might result, was astonishing to me coming from the mouth of such a young child.

When we returned upstairs to join the group, I was eager to share my amazement about her simple phrase, “I wonder.” I exclaimed  “She wonders!” Repeating it incredulously about 5 times!

Today she is a dedicated grown-up pursuing exciting adventures in education as she navigates the University system and teaches students with a creative approach that captivates and engages beyond their expectations.

What is wonder? What is wonderful? Yesterday I visited the Renwick Gallery in Washington, D.C. . The current exhibit is called WONDER. P1150084It truly is a wonderment for all ages. This architecturally magnificent building designed in 1859 by James Renwick, in the then chic Parisian Second Empire Style, is the elegant backdrop for a most progressive and creative collection of present day modern artists’ works. Diverse examples, of spectacular displays using simple materials,  brought to life in forms unexpected – of grand proportion and thrilling magnitude. Although my learned and previewer cousin had introduced me to the exhibit in advance, it captivated and engaged beyond my expectations.

This grand yet intimate edifice welcomes and encourages close observation of both itself and its contents. The spectacular main staircase, centered upon entry, presents a brilliant coral red carpet installed with a curvy,  serpentine migration up to the second level. Ooh – if copying is cool and emulating is the greatest form of compliment – I will be looking for an opportunity to specify a similarly whimsical installation. P1150052

Glittering overhead, spanning the entire length of the staircase, is a rectangular chandelier of mirror-like stainless steel punctuated with little LED lights blinking in random patterns. P1150066 The glitz and bling make such a striking, formal, contemporary statement in this expansive volume that it startles with joyful contrast. The artist, Leo Villareal of whom I had heard in advance, was originally from Albuquerque – where we now call home. A remote desert origination transplanted into the fast pace of the urban centers of the east coast resulting in this shiny experimentation with light, form and wonderfully reflective surfaces. Villareal melds basic high-tech coding to use his own algorithm of the binary system 1s and 0s communicating to the lights when to turn off and turn on – yet sequences that are never exactly repeated .P1150064 It’s not just your linear code of characters that is read on a screen –  here it is an artistic experience shared by all who look up in this gallery’s exciting exhibit.

Straight ahead, through the massive opening to the next exhibit hall, was the wispy fishnet-like rainbow of woven warm-colored fiber representing both  wonder and danger. Artist Janet Echelman’s inspiration is from a map of the energy released across the Pacific Ocean during the Tohoku earthquake and tsunami on March 11, 2011.  A natural disaster so devastating that it shifted the earth on its axis and cost us a fraction of a second in time. Surreal? Sci-fi? No, it really happened.  Beauty and grace depicting a horrific event. P1150063 Large scaffolding at the end of the room suggests the manual installation that was required to suspend this wondrous drape catching light and glowing with golden aura. P1150068

The lower level still had wonders to explore starting with the magical woven willow saplings – creations of artist Patrick Dougherty. He has wound these great lengths of supple branches to form Hobbit – like holes of imaginary forest habitats. P1150056 We were at once drawn into these cozy nurturing cubbies of what appeared to be nature – not forms created by man. Nature. Organic and raw, elegant and graceful winding toward the far reaches of the very high ceilings. Like a sculptor who says that the stone dictates what it wants to be and how he carves it – Dougherty knows that the long willow branches have a true will and bend their own way challenging him to work with them toward that goal of partnership with nature. The beauty is in the end result.  People of all ages wandered in and out, peeking through window-like openings pretending to be exploring an enchanted forest of wonder.

Next – stacked index cards- really? P1150061 Have you ever experienced Tent Rocks?  8-24-12 Placitas lunch, Tent Rocks Heather, Tricia, Zeke 044Have you ever looked upward and around and through the magnificent forms created by nature eroding the earth’s strata revealing layers of color and creating spires of rocky towers? It is a magic land just south of Cochiti in a very unexpected pocket of nature’s magnificence in our Land of Enchantment. And the spires that artist Tara Donovan created with stacks of index cards – an overwhelming accumulation of millions of index cards suggest grey spires replicating nature’s wonders in the canyons among the spires of the Tent Rocks. P1150062 It’s as though a photographer captured this natural formation in black and white.  Donovan’s interpretations are tones of grey as a result of the stacked white index cards with slivers of shadow sucking away light in between each of them. Clustered and staggering in height, the “Untitled” towers are inviting to walk amidst and pass between, winding around them like a  tourist or explorer or perhaps inhabitant in ages past and present as they have stood for ages.

Snap out of it and see what is glowing like a fine fiber sail in the sunset in the next room. Stretching upward and crossing midway are thousands of incredibly fine threads woven from small hooks on the base. P1150059How could a human working only by hand – without computer generated machines digitally fabricating such perfection create this finished piece that we are studying with such wonder? How can this fine tedious seemingly impossible count of thousands of threads be executed with such grandeur and grace by one mere mortal? gabriel-dawe-plexusa1-wonder-renwick-gallery-washington-designboom-03 The artist Gabriel Dawe transcends our ability to comprehend the exactness of his beautiful accomplishment with extraordinary patience, precision and creative foresight to imagine the end result and bring it to fruition.  It is a wondrous, luminous sculpture of rainbow colored threads inspired by the skies of his native Mexico and current home in East Texas. The fine weavings also inspired by his Mexican heritage are interpreted, stretched and exaggerated here reflecting the light and spectrum of color from its base to ceiling. P1150060

We missed a couple of early installations of WONDER but were thrilled by today’s adventure. We had many opportunities to wonder…wonder how the artists conceive of their fantastic ideas and actually build their dreams to share with the world. We wondered what it takes to spark that creativity and passion that requires commitment and demands such unfailing determination. We wondered about those who collect these talents and curate these exhibits for the joy of so many. We wondered about the practical side of marketing these concepts to support the artists and this amazing  accommodation started so many years ago by a true visionary William W. Corcoran.

My next blog will trace the history of this wonderful architectural treasure, the Renwick, and share more of the day’s discoveries that you might visit and experience as you tour my birthplace – our Nation’s Capital.

 

 

 

So for those who take the leap and delve into their artistic expression (reference last week’s pattisays…) – those who DO IT instead of critiquing “I could do that” –  are exploring vast depths of their awareness, sensitivity, and personal signature through a piece of art. But that same freedom of expression has been cultivated in society beginning with scribbles,  and the fundamentals of handwriting. From scribbles, scribble to basic block alphabetic B_after to the loop de loops of beginning cursive, ejercicio-preparatorio-2-federico-leon-de-la-vegathe lessons encourage and open doors to very personal and individualistic communication.

Most of us are all painfully aware that cursive is no longer taught in many schools. We are so seduced by technology that we are not selective about  what to save and what to advance beyond in this evolution. This conscious evolution may have a devastatingly regressive cost.

What is the danger?

The classic final question and answer in Beauty Pagents is something like “What is your wish for the world?” or  “What is the most critical issue facing  the world today?” Some might say “Global warming.” The truthful seemingly naive response we have heard for decades is “World Peace” or parodied version “Whirled Peas.” All kidding aside, this certainly is an important and noble quest – the root of which in today’s technology is “Nuclear War.” Yes, if we have nuclear wall everything else is moot. Education, clean air and water, whirled peas, nada. Well, shy nuclear war, another great issue facing our world today is the loss of the brain to hand expression via tool we take so for granted, handwriting.

Handwriting is a tool, yes. A tool to communicate private notes, grocery lists, love letters, instructions to the sitter and thank you notes for deeds so appreciated. Not to mention rough drafts for non-digital scratchings of the most intimate and possibly important historical communications on the planet.  A good friend is examining this troubling fact through his own artistic expression. Please visit the video Mind Your Calligraphy https://www.youtube.com/watch?v=4mO7ctV05Js where Federico Leon de la Vega

explores the neurological results of this modern-day tragedy that has the potential to change civilization as we know it. Not to mention loss of certain very specific brain functions of human evolution!

The artist must train not only his eye, but his soul. Wassily Kandinsky

Without the basic form of  flowing handwriting – the motion with an ease of fluid, natural motion to convey one’s thoughts, ideas, emotions, needs, and desires, we erase a portion of the brain’s function. We erase the personal expression offered  and made available by the human connection between our thoughts and our hands – our tools. The control our hands to artistically pen calligraphy – unique to each individual  – is a priceless piece of evolution.

Returning to the artistic expression…Plein air painting and field studies for scientific research might be the last vestiges of our need to communicate and connect through nature. If not free from technology,  perhaps in concert with the tools of technology. Taking a digital camera, phone or tablet into the field while painting on-site or using the technology to process what is discovered and/or captured in the scientific field studies might be those last vestiges.

We know why, so let’s think about what influence we might have to continue the art of cursive. How to perpetuate the evolution of that which is oh so personal a form of expression and that has such a powerfully effective and essential connection to our brains.

Like Kandinsky observed – it is the soul of a person that is expressed through artistic media. And there is nothing more intimate than the seemingly simple connection through individualistically personal script. f4426e761a5ab09c179a23e22301df58-1000